First Piano Recital
On Wednesday, April 27, 2011, I went to the Lloyd Ultan Recital Hall at the University of Minnesota’s School of Music to watch a piano recital. It was a doctoral recital by Eun kyung Ahn, a Ph.D. student of Alexander Braginsky at the School of Music. According to the leaflet I picked up at the recital, a doctoral recital is “presented in partial fulfilment of the degree of Doctor of Music in piano.” Being a Ph.D. student myself (in Computer Science), I thought of the dissertation defence which is also done towards partial fulfilment. Some 10 to 15 people had come to watch the recital, most of who seemed to be friends of Eun kyung – again, not surprising, as a defence in my case also draws friends and colleagues.
Eun kyung played pieces by Bach, Choplin, Liszt, Debussy and Prokofiev. This account is a description of my experience as a beginner in piano, and not a hard-core music patron. The most surprising observation I made was that the performer spoke nothing – absolutely nothing, zero words – during the entire length of the recital. I’m not used to such formal recitals, so I expected the performer to tell us about what she’s playing at the very least. When she first walked in, there was applause, she bowed, sat down at the piano, muttered a small prayer silently and began playing right away. Her performance had five parts – one for each composer. For some composers, she played multiple small pieces, whereas for others, she played just one piece. She paused for just a few seconds between these smaller pieces (by the same composer), and drew no applause whatsoever. At times, I almost brought my hands together in a clap, but stopped at the last moment. However, after every part (composer), she stopped, rose, bowed (and then there was applause), and left the stage.
As though this experience wasn’t funny and new in itself (no speaking, no applause at intermediate stages), the following was funnier. As I mentioned, after every part, she left the room to applause. However, she returned within half a minute, bowed (there was applause, again), prayed silently, and started the next piece right away! This was a repetition of the modus operandi of the previous part! Again, no speaking! After the last part, she left (as usual), but returned briefly (for one final applause) and then left for good.
However, the pieces she played were awesome. While most of the songs she played sounded good, not all were melodious – some were very intense. I think some of them were designed particularly to test the player. They had eighth notes, or even sixteenth notes (if they exist) and a very high tempo! At times, they required the hands to cross over, and occasionally, her hands were one above the other! Eun kyung did not use a music sheet, even as a reference. May be, they aren’t allowed. May be, she doesn’t need them after having practiced a million times! I enjoyed watching the agility of her fingers – she had shorter fingers (than mine) or that’s what it seemed. Yet, all her fingers always reached the keys she was trying to hit, and with the correct force (to maintain the dynamics of the song)! How strong must the little and ring fingers be? Mine are very stiff, very stiff! Eun kyung played very gracefully, with her hands moving in a very fluid continuous motion, without any abrupt movements. It seemed as though she was trying to keep her hands as away from the keys as possible, while still playing – as though there were springs connected to the back of her elbows. I think I will try playing like that (and mess up, for sure)!
Although her performance seemed very flawless, I think I noticed some places where it seemed to me that there were some shortcomings. May be I’m wrong, but at times I felt that some notes were played very abruptly – they ended in a kind of weird way. May be, that was right, and the song was such. When she began playing, her fingers even seemed to shiver a little. This didn’t affect the song in any way, but it made me think of my own experiences playing for somebody else. My fingers shiver, even when I’m playing a piece with eight measures or less in our class to our instructor! Here she was, playing some ridiculously difficult pieces to a large audience, many of who understood a lot about what she was playing! She should get some concession, I think.
Finally, I’m trying to understand what a doctoral programme in piano means. Eun kyung played pieces composed by famous composers like Bach and Choplin. But why didn’t she compose one of her own? Surely, in a five-year doctoral programme, a student could be expected to compose a piece of his/her own?
Acting Log: Projection, More Plays
We did various exercises for our facial muscles and voice. I found those very useful for a couple of reasons: First, actors often have to project themselves louder so that the audience understands what they are trying to convey, and for effective projection, they have to perform their facial expressions and their speaking very clearly and distinguishably. When we talk normally, we are talking just to communicate to the one person in front of us. In acting, this is different. Not only are we talking to the person in front of us, but we are also communicating this phenomenon to the audience.
We also did a play with 4 people teams. The interesting part here was the level of understanding between the actors, when in the directorial roles. We were given about 10 min to come up with a script. That is a very little amount of time for a group of 4 people. However, our group (Luke, Julio, Natalie, and I) showed great understanding for each other by arriving at consensus very quickly, and not having any idea conflicts.
Acting Log: First Play!
Yay, I’m taking an acting class at the U. I’ll post my experiences here, hopefully, on a weekly basis.
Today was the first time we did a play in class. We were put in teams of 2 for this purpose. I thoroughly enjoyed this process. I realised that coming up with a script for a play hinges a lot on personal experiences. I heard all this from T Mychael many times, but for the first time, felt it myself. As AJ and I were working for a script, both of us naturally inclined towards comedy, and tried to base the play on our respective Minnesotan and Indian cultures. That was fun.



